This post applies a basic concept found in labeling theory to the Office of Justice Program’s new initiative to erase certain language from their references to individuals released from prison. In this post, Ami Stearns argues that a rose by any other name may not be a rose anymore at all- at least not within the context of the criminal justice system.
In Romeo and Juliet, Shakespeare famously wrote, “That which we call a rose by any other name would smell as sweet” which is paraphrased often as “A rose by any other name is still a rose.” This saying implies that what we label or name things doesn’t have an effect on what they really are. Is this true, though? This month, the Office of Justice Programs announced that the words “felons” and “convicts” would no longer be used. Instead, people-first language will become standard in speeches and in written communication for the agency.
People-First Language and Incarceration
People-first language has become the standard for writers and journalists seeking to place the person before the disability. For example, instead of referring to someone as a handicapped person, which puts the significance on the disability, the individual should be identified as a person with physical challenges. Rather than calling someone “homeless,” they should be referred to as “a person without a home” or “person living on the streets.”
The people-first language movement has spread to the criminal justice system with the Office of Justice Program’s recent proclamation. Suggested phrases when referring to someone recently released include “person formerly incarcerated” and “citizen returning to society,” for example, instead of “convict” and “felon.” This change in policy was the logical next step from “banning the box,” the move to eliminate the question on hiring forms about past crime convictions, discussed in this Sociology in Focus post from last fall.
It’s important to note that the people-first language movement is not without its critics. Both the autistic community and the deaf community have voiced opposition to people-first language. People-first language implies that the disability itself should be viewed negatively instead of positively, which is a problem for some. Many will use the argument “a rose by any other name…” – that it does not matter what you call someone and, further, that you cannot separate the person from the person’s issue. However, do these critiques still apply in the context of the criminal justice system, where terms like “ex-con” are nearly always negative and rarely embraced as in some communities?…
In this post, Jena Morrison looks at the Las Vegas shooting on October 2, 2017. By examining a national tragedy through the lens of Structural Functionalism, the concepts of anomie and social solidarity are illustrated. And, deviance can be seen as having both dysfunctional and functional impacts to society.
For many of us, the morning of October first was greeted with shock and horror as we awoke to find out that another mass shooting event has occurred. CNN (2017) is reporting that the “Las Vegas Massacre” is the “most deadly shooting in modern history”. With reports of over 50 dead and another more than 500 wounded, it is easy, and horrifying, to see why it has earned this moniker (CNN 2017). It will take days if not weeks for the investigation to reveal the motivation behind this incident and to put together the events of the evening and of those leading up to this disaster. And, as we bystanders watch the news and anxiously try to come to terms with how something like this can happen, we are left to pick up the psychological pieces of our own reactions while we try to make sense of this situation.
Anomie and Functions of Deviance
Emile Durkheim proposed the concept of anomie, a situation in which the social norms are broken down, inoperative, or lost in a period of rapid social change or crisis (Seigel 2016). It is a feeling of normlessness, of not knowing what the rules are or how to respond. In situations where deviance results in complete chaos, this is easy to see. We can see it in the mass panic and confusion that erupted during and after the shooting in Las Vegas. And, we can feel it when we try to make sense of the chaos at home on our own couches as we watch the evening news. The costs involved with deviance, particularly major events such as this, are staggering and include loss of life, psychological, and financial costs. Despite this overwhelming sense of confusion and loss, however, good can and will come out of this tragedy.
In this post, Beverly Yuen Thompson looks at the significance of Hugh Hefner, founder of Playboy Magazine, in light of his recent passing. He introduced and marketed a magazine of nude women, literary articles, and interviews with cultural icons to the American mainstream man. The feminist movement responded to Playboy, and pornography in general, in what came to be called “the sex wars,” arguing many different sides on women, sexuality, and representation.
On September 27, 2017, Hugh Hefner, creator of Playboy Magazine, died in his Playboy Mansion, near Beverly Hills, California, at age 91.
In the post-WWII 1950s, Hugh Hefner detoured from the traditional life in which he was raised. His parents were strict Methodists. He joined the army, married the woman he lost his virginity to, had two children, and worked as a journalist. But, he wondered, is this all there is? He asked his conservative bookkeeper father for a loan to start a men’s magazine and explained his vision—not just nude women, it would have literary essays and interviews with cultural icons, but his father turned him down as a bad investment. However, his mother took him aside, and said she would loan him $1,000 from the money she had made as a worker during the war (when women were recruited to replace male workers, i.e. Rosie the Riveter). With $8,000 total collected from various places, Hefner was able to publish the first edition of his magazine in 1953, at age twenty-seven, and it sold 52,000 copies. In 1959, he and his first wife divorced and he began his life as the playboy that he promoted in his magazine.
Hefner did not invent the nudie magazine, but was a successful marketer, selling a conspicuous consumption lifestyle of the conceived of playboy image based on the male ego—Hefner’s ego—hosting parting with exciting people in fancy apartments, dressed in the right clothes, and surrounded by many beautiful objects, including women who appeared straight from the 1930s films on which Hefner grew up. Women’s bodies became an object that he could package and sell for his profit, while not adequately compensating their labor or humanity.
At the magazine’s peak, it sold 7 million copies. The backlash of the 1980s and the rise of widespread pornography lead to a decline for the Playboy Magazine, which always tried to distinguish itself by including writing by contemporary authors, interviews with notable historical figures, and artfully done nude photographs of women.
Gloria Steinem, Undercover Bunny
In 1963, journalist Gloria Steinem went undercover for Show Magazine for which she applied to become a bunny in the New York Playboy Club and wrote about the process in a two-piece expose series. She used her grandmother’s name Marie Ochs and went through the process of being sized up by women managers who would decide if she had the right body, appearance, and docile personality to make it as a drink-and-food server in the club for the lunch and dinner crowds of men, and occasionally, their girlfriends and wives. The ad promised women $300 a week and an entry into a glamorous lifestyle. However, the reality was more one of unfair labor practices, sexual harassment, and low pay. Steinem went on to become a leader in the 1970s feminist movement and challenged the sexism inherent in how women were treated in all levels of their work and personal lives—including such objectification of women’s bodies in media. This journalist stunt would be a landmark occasion in her career as a journalist and a feminist activist….
In this essay, Daniel Núñez examines the prison escape of Joaquín “El Chapo” Guzmán Loera using the theories of Durkheim and Merton to illustrate the sociological relationship between crime and morality.
After Joaquín “El Chapo” Guzmán Loera escaped from prison in 2015, public opinion in Mexico was apparently divided. For some people, El Chapo’s escape represented a terrible transgression of the moral order and the complete failure of Mexico’s justice system to preserve it. In a video addressing the Mexican people after the incident, President Enrique Peña Nieto referred to El Chapo as “a criminal” and to his escape as “a very deplorable act that outrages Mexican society.” For others, however, El Chapo’s escape seemed to have a heroic flavor to it. Many people in the state of Sinaloa, where El Chapo’s hometown of Badiraguato is located, for example, celebrated the escape and expressed their admiration for El Chapo quite openly. The joy was such that only three days after the escape “dozens” of narcocorridos (i.e. celebratory ballads) were already being dedicated to it.
Morality, Crime, and Durkheim
Although there are many factors that explain Mexico’s mixed reaction to El Chapo’s escape, the divide illustrates an old sociological relationship between morality and crime or acts of deviance more broadly. In his foundational and highly influential work, The Division of Labor in Society, published in 1893, the French sociologist Émile Durkheim put forward a rare view of crime that many people might still find striking nowadays. Going against the common view of crime as something that should never happen, Durkheim argued that a certain level of crime was normal and even necessary for a human society to remain “healthy.” He believed that every human society builds inalienable moral boundaries that define what is right and what is wrong, and that these moral boundaries need to be periodically reinvigorated over time.
Using Howard Becker’s labeling theory, Beverly Yuen Thompson combines a sociological analysis of the literary novel The Outsiders, about rivaling youth subcultures, on the eve of the book’s fiftieth anniversary.
On April 24th, 1967, S. E. Hinton published the coming-of-age novel The Outsiders, when only eighteen herself. The publisher had her use initials so as to disguise the gender of the author of a male-centric, gang-oriented novel, so as not to discourage the target audience of teenage boys and male reviewers. This was not uncommon practice at the time, in a literary-world decidedly male-oriented. Against the backdrop of the mid-1960s in Tulsa, Oklahoma, The Outsiders takes the perspective of members of the under-dog gang the “greasers”, as they engage in various rumbles with their arch-enemy, the “socs,” or the well-off, white, athletic students who dominate the social hierarchy of the high school. The esteemed movie director Francis Ford Coppola directed both the 1983 movie, and a 1990 television series adaption of The Outsiders, thus maintaining the story’s resonance for new generations.
Both the novel and the film present a bleak picture of American society in the mid 1960s, which, retrospectively, can be viewed as an anecdote to the baby boomer nostalgia of other renderings of the period in television shows such as Happy Days (1974-1984), Laverne and Shirley (1976-1983) and George Lucas’ American Graffiti (1973). Here we encounter an America of broken homes, where parents are strangely invisible or absent and where the young people wantonly roam the streets. So much of The Outsiders is about boundaries, both real and symbolic. The landscape is divided by fences and train lines, but it is the imagined and real lines of class, gender and age which present us with a divided middle America. And it is not hard to imagine in a time of wall building, that the young protagonists, now aged and retired, of the The Outsiders came to form the fodder of more recent political battles between elitism and populism….
In this essay, Beverly Yuen Thompson describes the structural racism created by the War on Drugs era and shows how the racial inequality it created may continue to disproportionately oppress people of color in the emerging legal marijuana economy.
While the 2016 U.S. presidential election will be remembered by history for the shocking election of Donald Trump for president, it should also be remembered for the 8 states that voted to legalize marijuana for adult and medical use. Continuing the trajectory established by the previous two elections, marijuana legalization increased its momentum by passing eight of the nine initiatives put forth. Medical marijuana became legal in Montana, North Dakota, Arkansas, and Florida, bringing the national total to twenty-eight states (plus Washington D.C.). Four states legalized marijuana for adult-use: California, Nevada, Massachusetts, and Maine, doubling the total to eight states nationally. Only one state rejected an adult-use legalization measure: Arizona. However, after this election multiple questions surrounding legalization remain. For instance, what will be done for individuals previously convicted or currently imprisoned on marijuana charges. Furthermore, how will our legal system treat felons seeking employment in this now legal industry?
The New Jim Crow and Structural Racism
“After 40 years of impoverished black men getting prison time for selling weed, white men are planning to get rich doing the same things. So, that’s why I think we have to start talking about reparations for the war on drugs. How do we repair the harms caused?”
–Michelle Alexander (2014)
Jim Crow laws enforced continued segregation of African Americans from white Americans in places such as public schools, restaurants, hotels, and rest rooms, after the Reconstruction period, and lasted until they were challenged in the mid–1960s by the Civil Rights Movement. Michelle Alexander points out in her book The New Jim Crow, that the drug war has been overwhelmingly oriented towards disenfranchising Black Americans convicted of possessing narcotics.
Jim Crow laws and the “War on Drugs” demonstrate how structural racism is enacted. While we may think of racism as an individual’s biased perception of other people, structural racism demonstrates that institutions themselves can uphold racism, such as segregated public places or discrimination against those seeking home mortgages. A modern example of structural racism can be found in the “good moral character” clause that bars many people of color from the legal marijuana industry….
In this essay, John Kincaid examines Durkheim’s concepts of the sacred and the profane in relation to the recent election, protest and art.
In the immediate aftermath of the election earlier this month, there were many protests that took place across the nation. Many of the protests opposed the election of Donald Trump to the presidency, but there were several rallies in support.
One of the immediate conversations in the wake of these protests has been over whether or not it is “appropriate” to protest the results of a presidential election. Many commenters have argued that the protests are “un-American,” and that the protestors are not respecting democracy. In sociology, we often look at these types of debates through the lens of the concepts of the “sacred” and the “profane.” Emile Durkheim argued that the sacred and the profane are essential components of social life. Those things a society holds sacred are objects, actions, symbols etc.. that we set aside from, and elevate above, everyday life. The profane is the ordinary, the everyday, the dingy aspects of life that surround us constantly. Observing and maintaining the boundaries between the sacred and the profane can create solidarity (another Durkheimian concept) between members of a society. They provide touchstones of shared values that can help unite members of a society that may be separated by distance or even cultural difference.
In the U.S. we tend to hold the ideal of “democracy as a sacred value, and part of the reason that the anti-Trump protests have drawn attention has been because they violate our idea of democracy as a sacred ideal. We as citizens are supposed to respect, honor and cherish the democratic process, not dirty those ideals by protesting the results of an election.
Just before ringing in 2016, the United Kingdom announced that new legislation would make coercive, or controlling, abuse in domestic relationships a criminal act, carrying a maximum penalty of five years in prison. The legislation reflects what feminist advocates have been claiming for decades – that intimate partner violence (IPV) is not limited to physical or sexual abuse. Additionally, IPV includes a wide range of non-physical but highly influential behaviors that enable one intimate partner to control the other, and keep the victimized partner ensnared in an abusive relationship. Here, David Mayeda discusses Evan Stark’s concept of coercive control to illustrate how widespread gender norms in society contribute to men’s control over women in intimate relationships.
When people hear the words “domestic violence” or “intimate partner violence” (IPV), the first images that come to mind are typically those involving physical violence between intimate partners. However in 2007, Evan Stark published Coercive Control: How Men Entrap Women in Personal Life, a book which illuminates how violence in intimate relationships is sustained largely by acts of control, which do not always carry physical violence. Stark’s work has also been influential in showcasing how coercive control is shaped by society’s gendered expectations of men and women….
In the Disney movie Frozen, were Elsa’s parents right to hide her ability to freeze the world? Were their concerns that she would be stigmatized correct? In this post, Stephanie Medley-Rath explores the real-world risk involved with disclosing stigmatizing conditions.
I want to focus on a portion of the song, however, and how it relates to the sociological concept of stigma. In case you are unfamiliar with the song, here is the verse that lends itself to a focus on stigma:
“Don’t let them in, don’t let them see
Be the good girl you always have to be
Conceal, don’t feel, don’t let them know
Well, now they know!”
For Elsa, her secret was that she could freeze everything. An accident where her powers accidentally hurt her sister Anna, led her parents to keep her secret powers concealed from everyone, including her sister. Once her secret became known, she went into exile. The disclosure of her condition was enough of a reason for others to attempt to kill her in an effort to take her kingdom from her.
Elsa’s ability to freeze things was a stigmatizing condition (and also a potential source of power). She was taught to hide her condition. Her’s was a condition that could be kept hidden and controlled as long as she wore her gloves. She always wore her gloves except she had to remove them during her coronation. The lack of gloves made it very difficult for her to keep her condition hidden. She was forced to disclose her ability in a very public way and with immediate risk to her life and threat to her kingdom. She had reason to keep her secret hidden….
Mardi Gras is typically a time where deviant behavior is expected and encouraged. Lewdness, public intoxication, and begging are all commonplace during this centuries-old festival. Within all societies, certain behaviors that would be considered inappropriate are allowed in some contexts. In this post, Ami Stearns examines Mardi Gras with a Durkheimian lens to suggest that deviance is relative.
Mardi Gras is serious business in Louisiana. This will be my second Mardi Gras in South Louisiana but the first that I will brave the crowds in New Orleans for a firsthand look at this over-the-top festival that has ancient roots in Western history. Many cities across the nation also celebrate Mardi Gras, and share in the typical problems that accompany the revelry, including shootings (both at people and at Centaur floats), partiers falling from rooftops, “suspicious” activity, and general mayhem.
The Situational Normality of Begging at Mardi Gras
What comes to mind first when conjuring up a Mardi Gras scene are probably the beads that are thrown en masse from passing floats- but beads are not exclusively thrown to women who bare their breasts. Beads and coins are thrown to those who beg the loudest, basically rewarding the best beggars. At the Mardi Gras parades in Lafayette (the second largest Mardi Gras celebration in the world and, most notably, fairly devoid of nudity), I noticed that the loudest people who shouted “Throw me something, mister!” received the most beads.
The “urban” Mardi Gras that is most well known demands that the revelers scream and beg for things, usually in return for nothing. But there is also a more rural version that is still practiced vibrantly in small communities all over South Louisiana. During these Mardi Gras celebrations, the members of the parade do the begging, running from house to house in tattered clothes to beg for food. The items that are collected, including live chickens, ultimately end up in a delicious gumbo….