In 1991, Philomena Essed wrote an important book titled Everyday Racism: An Interdisciplinary Theory. In her seminal text, Essed outlines how seemingly subtle and innocuous interactions between majority group members and women of color are muddled with racism. Essed termed these interactions, “everyday racism.” Other scholars in social psychology have called everyday racist acts “microaggressions.” In this post, David Mayeda discusses a recent commercial from Australia and his own research with Maori and Pacific students in Aotearoa New Zealand to illustrate the power of everyday racism and what he and his colleagues term, everyday colonialism.
Before I get into this post, check out this recent commercial that demonstrates what indigenous peoples in Australia (Aborigines and Torres Strait Islanders) must cope with on a regular, everyday basis.
Here at SociologyInFocus, a sociological topic we tend to neglect is colonialism. First let’s define imperialism – “the practice, the theory, and the attitudes of a dominating metropolitan centre ruling a distant territory; ‘colonialism’, which is almost always a consequence of imperialism, is the implanting of settlements on distant territory” (Ashcroft, Griffiths, & Tiffin, 2002, p. 46). In short, colonialism is imperialism put into action.
Today, old school colonialism is less prevalent. Instead what we tend to see are modern remnants of colonialism operating systemically through what scholars call “neo-colonialsim.” In neo-colonial settings, previously colonized states have gained political independence from the colonial powers of yester-year. However, contemporary political, social and economic arrangements persist that keep indigenous peoples pushed to society’s margins and in a state of perpetual structural disadvantage. Thus, colonialism lives on even if we don’t realize it….
Remember the Steubenville travesty that occurred in mid-2012 but didn’t start making headlines until months later? If you don’t recall, the case involved teenage males sexually assaulting a heavily intoxicated younger female, bragging of their exploits online, as various parties looked the other way or covered up the males’ actions. In the aftermath, certain mainstream media outlets were more sympathetic to the adjudicated males than to the female survivor. In this post, David Mayeda covers a strikingly similar case that has made headlines in New Zealand.
TRIGGER WARNING: This article discusses sexual assault.
A while ago I began writing a few SIF articles focused on “preventing violence against women.” I discussed the Steubenville case, as well as the tragedy in New Delhi, India and in different form, examples from Pakistan. In retrospect, I should have recalled how Jackson Katz frames the issue by naming it “men’s violence against women,” highlighting men’s responsibility in gendered violence.
This past month, I was reminded how correct Katz is when 3News in New Zealand exposed a group of older teenage males from West Auckland called the Roast Busters. As reported by The New Zealand Herald, “The Roast Busters caused outrage by bragging on their Facebook page about getting underage girls drunk and having sex with them…. The Roast Busters Facebook page and the profile pages of some members – who are said to have targeted girls as young as 13 – have been taken down since news of their activities broke.”
Since this story broke, members of New Zealand’s mainstream and alternative media have provided excellent commentary critiquing the Roast Busters and a broader rape culture in New Zealand that “systematically trivializes, normalizes, or endorses sexual assault.”
Unfortunately, following the Roast Busters’ exposure, a number of other disturbing events emerged that exemplify how rape culture operates in a patriarchal society, where men’s privilege is embedded across society’s institutions. Take for instance the male-dominated institution of law enforcement. Police initially stated they could not take action on the Roast Busters because no victim had formally come forward to complain.
However, the public quickly learned that “police had received a complaint from a 13-year-old girl as far back as 2011.” Demonstrating how police blamed the very young victim instead of taking action against accused male perpetrators, it was later revealed, “The girl…told 3News she was upset by the line of questioning used when she was interviewed by police in 2011, including about what she was wearing” (see also here)….
Malala Yousafzai has received an immense amount of media attention in the past few years, and rightfully so. Just last week here at SIF, Mediha Din took a conflict theory approach to discuss Malala’s global influence as the young activist continues to advocate for girls’ rights to education. In this post, David Mayeda continues to examine Malala’s social impact, dissecting why Malala’s popularity has risen so dramatically in western society, and why other very related stories go virtually unnoticed.
As explained previously in SIF, Malala Yousafzai is a 16-year-old girl from Pakistan now residing in England. Roughly two years ago when living in Pakistan, Malala was shot in the head by Taliban gunmen after she gained noteriety as an outspoken advocate for gender equity in education. A survivor of this horrific act, Malala continues her staunch social activism and has received extensive praise by the west for her actions. Check out her amazing interview on The Daily Show, where at one point she leaves Jonathan Stewart utterly speechless:
Considering the conditions that impact girls and women in Pakistan, it is not surprising, given her incredible conviction, that Malala spoke out for gender equity. Moving beyond educational gender disparities, in 2011, Pakistan was ranked as the world’s third most dangerous country in the world to be female. As reported by TrustLaw, in Pakistan:…
Polio was erradicated in Syria in 1999, but last week 10 cases were confirmed. In this post, Stephanie Medley-Rath explains how social factors contribute to health outcomes and how the reemergence of polio in Syria could indicate an approaching epidemic of the disease.
Epidemiologists study the social factors that contribute to health outcomes (e.g., likelihood of contracting a disease or dying). Epidemiologists have found that factors such as race, gender, and age are correlated with health. For example, the leading killer of women in the United States is heart disease, but this is only true for white and black women. Cancer is the leading cause of death for Hispanic, Asian American, and American Indian/Alaska Native women. In other words, gender, race, and ethnicity are correlated with cause of death.
Epidemiologists work at organizations such as the Center for Disease Control and Prevention (CDC) and the World Health Organization (WHO) These organizations track the spread of disease and work at preventing disease. Knowing who has contracted a particular illness can help the CDC and the WHO better predict which groups are most at risk so that they can better target prevention campaigns.
It is the job of epidemiologists to track epidemics, which could become pandemics. An epidemic is a disease that is widespread within a particular population (i.e., a community or country). A pandemic is an epidemic that has spread worldwide. HIV is an example of a pandemic in that it is found all around the world. Malaria is an example of an epidemic in that it greatly impacts some regions of the world while others remain untouched. It is possible for epidemics to be defeated.
Polio is an example of a disease that was once epidemic in the United States, but today is mostly a memory. Prior to the polio vaccine, there were approximately 35,000 polio cases each year in the U.S. After the vaccine, polio rates declined dramatically and there have only been 162 polio cases in the U.S. since 1980….
Tom Hanks’ latest box office film, Captain Phillips, is making waves. According to one source, the film has already garnered $58 million in domestic ticket sales, and $63 million globally. For those of you unfamiliar with the film, it recounts a story that played out in real life off the coast of Somalia in 2009, when a group of Somali pirates took Captain Richard Phillips and his ship – the Maersk Alabama – hostage in an attempt to hold him for ransom. These events were aired in real time on numerous mainstream American news outlets. In this post, David Mayeda contextualizes Captain Phillips’ narrative, explaining how it falls into a “protectionist scenario” that makes for typical Hollywood drama.
As Nathan Palmer pointed out way back in November of 2011, Hollywood has a way of recycling ideas such that viewers can consume moderately new ideas and easily digest them through familiar formulaic scripts. One of the dominant formulas that makes for a fiscally successful Hollywood action flick is that of the “protectionist scenario.” Carol Stabile notes that this scenario includes characters that fall into one of three categories (bullet points not in original text):
- “the protected or victim (the person violated by the villain);
- the threat or villain (the person who attacks the victim); and
- the protector or hero (the person who protects or rescues the victim or promises such aid)” (p. 107).
We see the protectionist scenario play out in numerous forms of mainstream media; Captain Phillips is no exception. Even when the real Captain Richard Phillips was kidnapped in 2009 and held for ransom as the United States Navy Seals prepared their rescue mission, one could almost feel the protectionist scenario developing in real life. Captain Phillips was the victim, the Somali pirates the villains, and the American military the heroes. Hence, it is no surprise the story dominated mainstream news and was eventually reconstructed into Hollywood entertainment.
Though movie previews are very short and only provide a taste of the full film, the victim-villain-hero labels are blatantly apparent in the Captain Phillips trailer:
In fact, the Captain Phillips story may be more complex. Some may argue the Captain Phillips character also holds dimensions of heroism, and the Somali pirates, dimensions of victimization (see here). These nuances notwithstanding, the dominant protectionist scenario remains strong….
Is global stratification futuristic? What does global stratification look like today? In this post, Stephanie Medley-Rath explains how the filming locations used in “Elysium” rank.
I was recently reading about the film Elysium in Wired (see, I don’t just read fashion magazines). I have not seen the film, but I am troubled by how the film provides a futuristic portrayal of inequality by relying on existing global stratification for it’s backdrop (i.e., filming location):
- “Elysium takes place in 2154, when the 1 percent live out their caviar dreams and enjoy spectacular health care on board the film’s titular space station—while the rest of humanity suffers on a ravaged, overcrowded Earth. The orbital utopia scenes were shot in Vancouver, British Columbia, while a Mexico City slum stands in for LA. Blomkamp spent two weeks of the four-month Mexican shoot filming in one of the world’s largest dumps, a place swirling with dust composed partly of ‘dehydrated sewage.’ ”
In other words, utopia already exists in Vancouver, Canada, while a location complete with “dehydrated sewage” can be found in Mexico City, Mexico. Futuristic inequality is not really futuristic because already exists in 2013 in the form of global stratification….
Have You ever see a kid stick her fingers in her ears and yell “LA LA LA” at the top of her lungs to keep herself from hearing her parents tell her to do something she doesn’t want to do? In this post Bridget Welch explore how what the United States is doing about the recent uprising in Egypt is kinda like that.
Nathan Palmer recently wrote about the turmoil in Egypt. After explaining what happened when the first democratically elected president Mohamed Morsi was arrested by the Egypt military, Nathan points out that there are many ways to sociologically analyze the events in
Egypt and that he would be doing so by discussing the large social structural concerns relating to social control and cohesion.
A point that I try to make in my sociology courses is that social life is a complex chaos of craziness. Given any social event (especially something as large as national-level protests and military action), there are a lot of factors in play. In order to come to an understanding of any social process then, we need to whittle down that craziness into something we can manage. Frequently, the way we do so is through applying a particular framework (or theory) through which we view the events. This framework cues us into what elements to pay attention to and which to ignore. So while Nathan was looking at the revolt in terms of social control, I am going to use another framework — the power of naming — to explore another part of the Egyptian events — the U.S. response.
A name has three components. First, the label (that’s the obvious part). Second, it has some kind of affective component (how you feel about the thing). Third, it indicates to self and other what should be done with the object that has the label. For example, if there are flames racing up the aisles of a theater you are likely to label that “FIRE!”. You probably don’t much LIKE fire (at least in this context). And, when you yell “FIRE” in that theater it suggests to you (and everyone that hears you) that you need to hall butt out of that theater….
Hey American tough guys, ever consider playing football without pads? And no, not out on the field with your boys for fun (sorry for the gendered language). I mean an actual game, full on, full speed, full contact, full collision. The fact is, you can’t. If official football games were played without pads, athletes would get horrifically injured, even die on a regular basis. Heck, football is dangerous enough with pads and helmets. But down here in the Southern Hemisphere, we have a very speedy collision sport with no pads called rugby. I’m still getting my head around the different sporting forms of rugby that exist. A few things are for certain though – it is big, big business and can be very dangerous, the latter of which you might never know by watching the mainstream media.
Australia’s National Rugby League (NRL) is akin to the United States’ National Football League (NFL). Both organizations represent the pinnacle of male sporting success in their respective parts of the world. Rugby League allows for rather unrestricted tackling between players. Hence the collisions in Rugby League are often times very similar to those we Americans see in the NFL, minus the helmets and pads. Many people in New Zealand – where I now reside – tell me Rugby League is about as violent as a sport can get….
With the exception of 1900, wrestling has been in every modern Olympic Games since 1896. This past February, the International Olympic Committee (IOC) decided to cut wrestling from the Olympics due to reported low attendance, poor television ratings, and general lack of popularity. Wrestling has two different styles at the Olympic level, Greco-Roman and freestyle. Both will be offered in in Rio de Janeiro in 2016. However come 2020, wrestling – a sport with historic Olympic roots – will likely be slashed from the Olympic platform. In this post David Mayeda explains why the IOC’s decision is a slap in the face to women’s and girls’ sport.
Wrestling is a sport that is dear to my heart. I didn’t go that far with it, stopping after high school to pursue a collegiate track and field journey. Still, I’ll brag a bit about my high school wrestling team. Typically one of the less popular American high school sports, our team had over 100 athletes when I was a freshman. Four years later as a senior, we still had around 80 wrestlers on the team, and we were damn good, winning league championships at every level all four years I was there.
But “wrestling” at my high school actually meant “boys wrestling.” The sport was normalized as a masculine, males-only sport. You didn’t have to qualify naming it as “boys wrestling,” because everyone automatically assumed girls didn’t participate as wrestlers, or that women didn’t lead as coaches. As sociologists, we are trained to question that which is presented as normal – to expose the social forces that construct our everyday lives.
Historically, sport was divided along very gendered lines, even more so than in present time. In early twentieth century United States, sports like boxing, basketball, and track and field were developed as male-only athletic terrain. In contrast, tennis, swimming, and golf, were sports where women could participate with a bit more flexibility. Society’s leaders of that time argued that the physical contact between athletes in sports like boxing and basketball, or the heavy pounding involved in track and field events (e.g., powerful running and jumping) jeopardized women’s reproductive organs. Thus, if women were allowed participation in sport at all, it would have to be in sports that supposedly preserved women’s ability to bear children. Notably, when women did partake in sports like basketball, they were stigmatized for acting in ways that violated “proper” womanhood….
In every culture there are social norms that govern, or at least guide society. Technically speaking, norms are informal rules that we learn over time as we grow up. Eventually, norms become so commonplace, we stop thinking about them all together. Norms, however, also function as forms of social control – they control our behavior so that we don’t deviate from or challenge the ways society says we are supposed to act. Essentially, there are consequences to breaking social norms, and sometimes, they can be quite harsh. In this post, David Mayeda takes the example of a Japanese pop star that broke the rules and the price she paid publicly.
As the rest of the world finally knows thanks to PSY’s “Gangnam Style,” a quite vibrant popular culture exists across Asia. It has existed for decades in South Korea, Taiwan, Japan, and other countries. Like the pop music industries in other countries, popular music in different parts of Asia is shaped by a variety of cultural norms. However, an almost universal norm in any youthful music industry is the tendency for performers to emit sex appeal.
In Japan, women in all female music groups can enhance their sexuality by presenting themselves as especially youthful, sexually innocent (i.e., virgins), and accessible to the male public. This is their expected – even enforced – public face. It is the norm they often follow, reflected heavily in music videos through lyrics, suggestive dance moves, and attire worn….